JASON KAO HWANG BURNING BRIDGE – “BLOOD” Independent Label Jason Kao Hwang, violin/viola/composer; Taylor Ho Bynum, cornet/flugelhorn; Joseph Daley, tuba; Andrew Drury, drums; Ken Filiano, double bass; Sun Li, pipa; Steve Swell, trombone; Wang Guowei, erhu.

 

“Driving down on an unlit highway, my headlights flashed upon the bleeding carcass of a deer,” explained Jason Kao Hwang. ”My heart rate thundered and air abandoned my lungs with explosive force as I swerved away, narrowly avoiding a collision. This shock made me reflect upon my mother’s harrowing experiences in China during World War II. While in a Changsha pharmacy, she was knocked unconscious by a Japanese bomb. She awoke as the lone survivor surrounded by the dead. I also thought about Butch Morris and Billy Bang, musicians I’ve worked with who fought in Viet Nam. The magnitude of pain and sorrow that they endured is unimaginable.”

“Blood meditates upon the emotional traumas of war retained within the body as unspoken vibrations that reverberate throughout communities and across generations. Through blood, the violence of deeply held memories are not relived, but transposed into our sound. Blood in our sound rises within our voice to defy humanity’s constant state of war. Blood liberates our song. Blood regenerates into wholeness and strength.”

The excerpt above is taken from the Jason Kao Hwang liner notes. It explains the inspiration for this unique musical adventure, using the artist’s own words. During the first track, “Breath Within the Bomb” you hear the fear, frustration and calamity within his music. I could imagine pieces of debris swirling around in the air and unconscious or injured bodies lying on the ground. Sometimes the instruments sound like painful cries, or mimic animal voices of protest and pain. Taylor Ho Bynum’s use of both cornet and flugelhorn on this project add notable highlights, as does the tuba. This is Avant-garde jazz music, not always easily understood or reviewed. Hwang’s violin is ever-present, sometimes plucked, sometimes bowed. He has incorporated a number of string instruments that merge to become his Burning Bridge group and to illustrate his concept of “Blood,” the essence of human life. Among these instrumentalists, it is unique to add the Chinese two-stringed, bowed musical instrument called the ‘erhu’. It’s similar to a spiked fiddle or sometimes it’s referred to as a Southern Fiddle. Others refer to it as a Chinese violin. It is mastered by Wang Guowei. Another Asian instrument that’s blended into this production is the ‘pipa’, a four-stringed Chinese instrument, also referred to as a Chinese lute. It has a pear-shaped, wooden body and can encompass a varying number of frets, ranging from a dozen frets and up to twenty-six frets. It is showcased by Sun Li. Jason Kao Hwang continues his search for self-expression by unifying both Eastern and Western music and musical instruments. He incorporates the tuba, featuring Joseph Daley. Steve Swell adds trombone magic to the mix. On the third track titled, “Surge (Part 2.)” Andrew Drury is the catalyst on trap drums, dashing and dynamic on his instrument. Kenny Filiano sets a blues tone beneath the freedom of expression performed by the strings, walking his double bass deliberately through the fray. He’s a seasoned technician on his instrument. I remember Kenny from his days living and playing in Southern California. He’s always been a strong and confident player.

Jason Kao Hwang has received support from Chamber Music America, US Artists International, the NEA, the Rockefeller Foundation and some others who have supported his unique composer talents. As a violinist, he has played with Karl Berger, Anthony Braxton, William Parker, Butch Morris, Oliver Lake, Reggie Workman and many other notables. His music is not for the faint of heart or those of closed minds. This is an unapologetic, Avant-garde experience full of creativity and protest, played by a number of talented and uninhibited musicians. Fasten your seat belt.

- Dee Dee McNeil, musicalmemoirs.org.wordpress.com, Nov. 29, 2018

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